A Key to the Legacy of Ghost Hunter Fiction: A Chronological Bibliography

The Hyperlinks

The hyperlinks, which appear in blue on the Legacy of Ghost Hunter Fiction, take you to online copies of the works. If pages are hyperlinked, you’ll be taken directly to those pages. If a publisher is hyperlinked, you’ll be taken to that edition of the work. If a title is hyperlinked, you’ll be taken to an e-book version of the story, such as one offered by Project Gutenberg.

Go to the Legacy of Ghost Hunter Fiction


My Definition of Ghost Hunter Fiction

While I’ve limited the occult detective characters on the Chronological Bibliography of Early Occult Detectives to those who actually do encounter the supernatural (rather than just debunk it), I’m not making that distinction with my ghost hunters. In fact, one of the earliest characters I’ve found is Madame Deshoulieres, who investigates an alleged haunting in Sholto and Rueben Percy’s “Seizing a Ghost” (1823). She reveals a not-at-all-otherworldly explanation for the mysterious visitations that occur in one of the bedrooms of the Count and Countess de Larneville’s château.
Unlike how I’ve understood occult detective fiction, then, I can’t define ghost hunter fiction in terms of its crossing the genres of detective and supernatural fiction. Instead, I’m focusing more on character and, specifically, the motives of the ghost hunter.

Perhaps the ideal ghost hunters in terms of motive are those represented by the unnamed narrator of Angelo J. Lewis’s “My Only Ghost” (1884). Right at the start, we learn what drives this character to go ghost hunting:

I have always had a great desire to see a ghost. My motive was threefold: partly, for the novelty of the thing; partly, in order to be able to say I had done so; last, and chiefly, from a natural leaning to the occult and mysterious.

In stark contrast, other ghost hunters investigate reported hauntings in order to debunk those allegations. Midas Oldwyche, the narrator of the anonymous “A Night in a Haunted House” (1848), has such a goal. He tells us early on, “I objected to ghost-stories, on the ground of their manifest antagonism to the spirit of an enlightened nineteenth century,” and he conducts an investigation with that in mind. The interesting thing here is that such skeptical ghost hunters are frequently humbled by discovering something that cannot be explained physically. At times, in fact, they pay a terrible price for their stubborn skepticism.

There’s also a kind of ghost hunter who’s motivated by money. Ambrose Bierce wrote at least two pieces of ghost hunter fiction: “An Assignment” (1888, a.k.a. “A Fruitless Assignment”) and “At Old Man Eckert’s” (1901), both very original and very unsettling. The earlier tale involves a reporter who’s assigned to investigate an alleged haunted house and then write an article about it. In this case, ghost hunting is just an odd part of his job.

Of course, whether the ghost hunter is motivated by payment, by a personal desire to experience the supernatural, or by an urge to debunk such things, a lot of the fun of ghost hunter fiction is not knowing if the ghost will prove to be a mistake, a ruse, a friendly ghost, or a terrifying one! The original motive has no relation to whether or not the supernatural element proves to be “real” or not.

One motive that isn’t part of what I consider to be those of a ghost hunter is exorcising one’s own home or property. In other words, the ghost hunter mustn’t be the one who’s haunted. Instead, he or she (or they) have to have learned about someone else’s haunting — or, at least, a haunting somewhere else — and decided to investigate it. Mr. Henley, the ghost hunter in Rebecca Edridge’s “The Haunted Castle” (1822), shows that this can be a tough call at times. Mr. Elphinstone owns the house, and Henley doesn’t come intending to hunt ghosts. Rather, he’s a guest who reluctantly agrees to sleep in “the nightly visited chamber” because there’s no room elsewhere. However, upon encountering that nightly visitor, he very steadfastly remains in the chamber in order to solve the mystery. As such, Henley is sort of an after-the-fact ghost hunter, but he’s also a rare case. Most of the characters I’ve found go out of their way with the intention of pursuing a phantom.

Go to the Legacy of Ghost Hunter Fiction


Go to the Occult Detectives/Ghost Hunters in Fact and Fiction page.

search previous next tag category expand menu location phone mail time cart zoom edit close